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An
ATV Viewpoint
BOY! DID GH GOOF!
Why the Legend's End Was a Terrible Anticlimax
by Marilyn Henry
In this viewer's opinion, Helena
Cassadine did not put that curse on Luke and Laura. The curse on Luke and Laura--on
General Hospital, in fact--was put there by the new crop of writers who
arrived in the fall of 1981. In the weeks that followed that spectacular wedding,
the Luke/Laura storyline went into a slow slide that distorted the characters
and wiped out all continuity and suspense.
How damaging it was to the Laura
character to have her gazing vainly at herself in mirrors, being thrilled by fans
and behaving pretentiously with reporters. Our Laura had a built-in fear of reporters,
of flashbulbs and notoriety; she would likely have had to give grave second thoughts
to anything having to do with a Miss Star Eyes commercial. And Luke--given what
we know of him ("I read, I know what goes on at those screen tests!"), would he
be likely to allow Laura to go off to New York alone to deal with agents and photographers?
With their rapid bicker-to-bussing
changes of mood and the small-talk dialogue, the characters seemed only to be
going through the motions, not the emotions. Each episode closed up at the end,
leaving nothing to carry to the net day to create curiosity. The writers compounded
these problems by adding enough elements to the one storyline to fill out three
others. Cassadine voodoo, Scott's dirty tricks, mobster threats, and a mysterious
stranger with hypnotic eyes and a odd ring, were all tossed in with no connecting
threads.
Along with an overabundance of plots,
there was an overabundance of dangerous threats which no one took seriously. Imagine
a Luke Spencer who would listen to his Laura tell about a tall man with piercing
eyes following her and then respond with, "Maybe you were dreaming," or a Luke
who would fall asleep in the middle of her description of how the tall man seemed
to mesmerize her with a sapphire ring. To lay on that much menace and have Luke
yawn at it was ridiculous.
It was also ridiculous to have Laura
brush aside Luke's story of how a mobster had been threatening him and Robert.
This was the girl who used to wade snow just to get to the disco to hear Luke
tell her he was in trouble with Mr. Smith's gangsters back in the days when she
was married to Scott and had no right to be concerned for him.
While the threats were falling all
around, the mobster who issued some of them turned out to be a comic book caricature.
The dreaded Mouse, whom other characters had described as "dangerous", really
was a mouse, easily intimidated by those bantering boy chums, Luke and Robert.
Luke, who had first hand knowledge of the underworld, surely would have been more
careful. In fact, it was impossible to suppose that Luke, who was always protective
of women, would send Emma and Tiffany (wasn't a movie star a bit too familiar
a face for this?) out as decoys, putting them in jeopardy.
Much time was also wasted on the
man with the Cassadine curse. His entire mission could have been accomplished
in one brief episode. In fact, the night he flew out of Pt. Charles and off the
suspect list, the airport in Pt. Charles was socked in by fog and all flights
had been canceled--only the writers forgot they had established that fact.
Luke and Laura, who were about the
sexiest lovers ever to grace the tube, were scarcely allowed any of those sensuous,
insinuating, titillating, mutually urgent love scenes after the honeymoon. They
almost forgot how to flirt. Dialogue implied they made love off camera, but little
of the mood carried over on camera. This was, perhaps, the biggest disappointment
of the post-wedding storyline. These two who were so familiar with each other,
so involved and involving, so warm, were cooled down to a couple with career
conflicts. Neither Tony Geary nor Genie Francis could get an honest scene out
of such stuff because the situations were dishonest, the emotions false and the
dialogue superficial. Their last days together had to be a terrible disappointment
to fans who had followed this unique love story from the beginning.

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