| |











 |
|
Provided
by Arda Darakjian Clark.
This piece appeared in Soap Opera
Magazine on February 9, 1999.
Anthony Geary's Moving Eulogy to
GH's Beloved Norma Connolly Rodman
This
week, GH will lay to rest Aunt Ruby, the character played by Norma Connolly Rodman,
who died last November. She will be missed by her many fans and castmates, among
them Anthony Geary (Luke), who played Ruby's nephew and who gave a moving eulogy
at her memorial service. Here, in its entirety, are Geary's own words on how he
felt about this remarkable woman:
"Norma joined the cast of General
Hospital in 1979. She played the irrepressible Ruby Anderson, former madam,
owner, cook, and chief bottle-washer of Kelly's Diner. Ruby was the aunt of Luke
and Bobbie Spencer and anything but the typical, glossy garden-variety soap opera
character. She was a working-class, salt-of-the-earth, pull-yourself-up-by-the-boot-straps
kind of gal. A dignified survivor of an extremely undignified past. If you lived
in Port Charles, you could always count on Ruby for a good cup of coffee and a
shoulder to cry on or a room to crash in if you needed it. She was also good for
a stern reprimand if she thought you deserved it. Justice, decency, compassion,
and a fair deal for the underdog was her creed.
"These same qualities prevailed
in Norma's personal and professional life, as demonstrated by her work through
the years with many different causes, support groups, and organizations, such
as California's State Commission on the Status of Women, Hollywood Helps, and
as a member of the board of directors for both AFTRA and the Screen Actors Guild.
She believed firmly in equal opportunity for all, equal pay, workers' rights,
solidarity, and the importance of a strong labor union. To have to cross a picket
line would make her physically ill.
"Norma's Ruby was a woman who endured
more than her share of bad breaks and had seen too many acts of cruelty to be
heartless or unkind herself. She was never insensitive to people's needs and could
never bring herself to exploit their flaws or weaknesses. But if you crossed her
or anyone she loved, you risked open warfare with a formidable opponent. To this
end, Norma developed a quality in Ruby that she reserved for characters who meant
her or her loved ones harm. It was delicious. I can only describe it as a withering,
bone-chilling, overt contempt.
"Ruby was a champion fighter--strong,
ethical, empathic--without a shred, an iota, of self-pity or self-aggrandizement.
To use an annoying cliche, Ruby was real. Audiences knew it and loved her.
"Norma crafted a full, flesh-and-blood
character from her life's experience, who was tough yet open, accessible, reliable,
genuine. Ruby was someone you'd like to know, someone you'd be lucky to have as
a friend or relative, because Ruby Anderson would love you unconditionally and
stand fearlessly by you when the chips were down.
"Ruby was Norma under other, very
specific, circumstances--which is, in a nutshell, the clue to all great acting.
Ask Ruby's opinion, and you'd always get the truth as she saw it. Ask Norma, and
you could expect no less. Ruby, like Norma, was a devoted friend and a fearless
advocate. In a word, she was courageous. Her courage was generous and infectious;
just knowing her gave others courage. Am I talking about Ruby now or Norma? I
forget.
"Like her counterpart, Norma was
never one to stick her nose in other people's business. During the 20 years I
knew and worked with her, I cannot recall one instance where she passed on gossip
or innuendo. When it came to a person's personal life, everybody had the right
to be or do whatever suited them. Norma was not a judge and she refused to participate
in the deliberations of self-appointed juries. The details and choices of real
people's lives were not entertainment to Norma.
"As warm and open as she could be,
she never failed to maintain a clear sense of boundary. She held a healthy regard
for personal privacy and she could be counted on utterly to keep a confidence.
Today I'd venture to say that on Wednesday when she passed away she took a lot
of our secrets with her.
"Norma Connolly's Ruby Anderson
graciously supported and animated the life and times of mythical Port Charles
for 20 years. They were two tough-crusted cookies with one enormous marshmallow
heart.
"Norma did not consider herself
a great actress; she often referred to herself as a journeyman actor. (One who
has learned her trade well, is experienced and reliable, but not necessarily brilliant
or colorful.) But in fact, Norma Connolly was a master craftsman in the tradition
of master craftsmen who pass on the stories and mythology of their craft and a
lifetime of personal knowledge and experience through example. She was the consummate
professional to the end.
"I wager that during the last 20
years on General Hospital, Norma inadvertently, and/or intentionally, taught
more young actors their craft than most of the schools and acting labs in Los
Angeles. No kidding, for a while there, Kelly's Diner looked a lot like Norma's
Acting Emporium.
"Norma's motivations to act weren't
fame. She didn't do it for busloads of screaming fans. She didn't crave attention
or awards. Norma wasn't seeking great wealth or her name above the title. She
didn't have a fragile, shattered ego that required public tending. Simply put,
Norma did it for "the work." She gave herself completely because she loved the
job and the art of acting. She loved the process and the fellowship of like-minded
artistic temperaments. She loved her character and the show. She never wasted
a second, looking down on the medium of daytime or taking for granted the good
fortune any actor has to enjoy a good, steady job.
"It was obvious that she adored
actors and writers, but she also had the highest regard for directors, technicians,
and craftspeople of all description. Norma respected anyone who worked hard and
took pride in the outcome. And if they did it well, well, that was someone special.
There was no hierarchy of position with Norma; she was unimpressed with the illusion
of power. She was a pure egalitarian and not the least bit shy about telling you
so.
"Norma prided herself on being what
she called 'the last unlifted face in Hollywood.' And, oh, what a face! Gentle.
Warm. Open. Strong. Vulnerable. She had a solid, unassuming beauty and a practical
Yankee elegance that spoke of understated taste, high intelligence, and steely
determination. Like all good actors, Norma's eyes were her most refined and telling
feature. Their brilliant blue brimmed with wit, ached with empathy, flared with
anger, set in defiance, and shined with pride.
"At times, when she was being sly
or naughty, they'd playfully twinkle behind a big, broad smile and a knowing wink.
She could flutter girlish eyelashes with the best of them when she chose to produce
a ruthless parody of coy. All followed by her rich, distinctive, rolling, baritone
laugh. It is the warm, velvet gravel of that laugh, the constancy of her love
and friendship, and the depth of her humanity that I will miss the most. All these
she gave freely to her colleagues at work and to her audience through work.
I, like millions of her other fans, will dearly miss our sweet Aunt Ruby.
"And so, now I must stand alone
in Kelly's Diner. It's dark... cold... the doors are locked... the jukebox unplugged.
Stacks of dirty dishes rattle 'goodnight' on their way to the kitchen for soaking
and scrubbing. The never-empty coffeepot hits an unprecedented bottom. Cacophonies
of endless dialogue fade around me, only the sound of Norma's deep, soothing voice
remains. 'I am a caveat, sweetheart,' I hear her say. 'I'm a sturdy old lighthouse
with a stubborn, unquenchable beacon. I'll always be here, in your heart, reminding
you to beware the rocky, ragged shore of indifference. Beware the ever-swirling
winds of false and foggy judgment. Beware the ebbing tides of foolish pride and
self-delusion. Be ever aware, alert, on guard against a closed and remote heart.
Raise your head, your hopes; have courage, keep focused, be determined... there
is life and grace in the eye of every hurricane. I was living proof."
Sidebar: Anthony Geary Remembers
His Friend Norma Connolly Rodman
"When I think of Norma, I think
of her unconditional love and support, friendship, and her laugh"
by Anne Marie Allocca
On Nov. 18, the GH cast was stunned
by the death of veteran actress and consummate professional Norma Connolly Rodman,
who had portrayed Ruby Anderson since 1979. This week the soap pays tribute to
Connolly Rodman--as well as Ruby--with a touching memorial service.
In the storyline, Ruby has indicated
in the papers she left that she didn't want a big funeral. Instead, she wanted
her friends and family to gather at Kelly's, sip some coffee, and reminisce about
their times with her.
Anthony Geary (Luke) spoke with
SOM about the tearful farewell--to both the character and the woman. "It was emotionally
challenging to be that vulnerable. It was also a fitting closure to Ruby. And
Norma was a good friend of mine," he says quietly.
But Geary wasn't at all concerned
with trying to keep his feelings in check during these emotionally charged scenes.
"I don't know that it's necessary to separate yourself [from your character] because
the relationship is so similar, and so much of our time was spent together as
Ruby and Luke. It occurs to me that Luke might express [his feelings] not as Tony,
and if the emotion overcomes me, I have to just let it be. Whereas, I learned
a long time ago that it's much more interesting to watch an actor try not to cry
than to watch him try to cry. So it's all translatable. Life is very translatable
into acting.
"This has been a sad couple of years
for us at General Hospital, starting with losing John [Beradino, Steve],"
Geary continues. "In many of our hearts, it will always be John's show, so it's
very difficult as actors to lose such historical people and characters. It's difficult
to separate [the emotions], and I don't think it's appropriate, necessarily, to
separate them unless your character hated the other person. It's an odd thing
to even talk about and an even odder thing to experience, but it's not an unusual
fact of life."
Geary wrote a moving eulogy to his
friend and co-star which he read at Connolly Rodman's memorial service last November.
Some of his words have been incorporated into the scenes airing this week.
"They asked me to send them the
eulogy so the writers could see how Norma and Ruby were, to me, the same person.
And they wanted to give the writers an insight. I believe they also asked Jackie
[Zeman, Bobbie] to give them some recollections," says Geary.
The poem at the end of the eulogy
will be heard during the scenes. Geary, known for often tweaking his scripts,
found himself changing the words he'd written in tribute to Connolly Rodman. "I
found it interesting because I had to rewrite it. It worked as a eulogy, but for
me it didn't work with what we were going to do. I didn't change it that much--it
was more poetic," says Geary, the irony not escaping him. "The older I get and
the longer I'm on the show, art keeps imitating life."
Geary doesn't hesitate when asked
to recollect some special times he shared with Norma and Ruby.
"My number-one memories are of Norma,
not of Ruby. Ruby was a creation of Norma; she invented an enormous amount of
her, her sensibility, which all good actors do. Norma was a damn good actor as
well as a great friend. When I think of Norma, I think of her unconditional love
and support, friendship, and her laugh. We were close, as Ruby and Luke were close.
When we were in New York once, I took her to visit the New York home of Ron Woods
[of the Rolling Stones]. I had met him and his family in Jamaica. When I was going
to visit him, I asked Norma if she wanted to come, and she said, 'I wouldn't miss
it.' We had a great time. I think of Ruby as a dignified survivor who was honest
and had a lot of heart." says Geary.
As for his favorite scene with the
esteemed actress, Geary says the scene was on his Emmy reel the year he took home
the statue for best actor. "That was when Ruby was in the hospital. That has always
been one of my favorite scenes," he says. "Another one was a Thanksgiving that
Bobbie and Luke had at Ruby's some years ago, where we improvised wildly about
who would cut the bird. We always had a good time. And Jackie did too. I'm sure
she would tell you the same thing."
Geary received a card from his former
co-star Loanne Bishop (ex-Rose), who upon leaving GH passed on her character's
place of business to Ruby. He felt her words expressed the feelings of many when
speaking of Connolly Rodman. "One line she said is so true," Geary recounts. "She
said, 'She touched me so, and I always looked up to her as a kind of moral, ethical
guide.' I think a lot of us felt that way about Norma. She was devoted to her
craft, her profession, and her colleagues. She was nice to be around."
|
|